Thursday, September 13, 2007

First Magazine

First

by Larry Dobrow, Thursday, September 13, 2007
I GOT A WONDERFUL idea from a quick glimpse at the cover of the Oct. 1 issue of First: I'm going to cram my imitation of the magazine's approach into one tantalizingly lengthy blurb at the start of this column. Here it goes: Alarmist sentiment, couched in pseudo-science. Severe overstatement? Clause that diminishes its severity! Question that seems rhetorical... but isn't. Too-easy-to-be-possible balm - promise of easiness and possibility. Shocking news! Shocking news!

What's that? It's hard to tell what the dickens I'm saying? Ah, but apparently such a hit-the-reader-early-and-often strategy works for First, which plasters 129 words on the cover of its October 1 issue, not including the title and price. In this context, the 11 exclamation points feel almost understated. By the time people likely to buy this publication -- non-city-dwelling women with no common sense or self-esteem -- have taken it all in at the supermarket counter, they'll likely have slumped into a diabetic coma. Medic - 600 CCs of Milky Way, stat!

Holy lord, the people behind First have some 'splainin' to do. I'm down with magazines like All You and Quick & Simple, First's obvious competitors. But where those other titles attempt to educate and entertain in an almost pathologically gentle manner, First goes the alarmist route. Tonally, most of the issue resembles the teases for late local newscasts during November sweeps ("Three packed movie theaters fire-bombed this evening! We'll let you know which ones... after 'Men In Trees'!).

First tells its readers that copper makes them chronically sleepy. It warns them about the pitfalls of drinking orange juice. When it runs out of canny advice of its own, it imports dullard-sitcom luminaries like Reba McEntire and Kimberly Williams-Paisley to pass along tips about stress-management (be humble) and making new connections (send more email... just not to me, okay?). The oh-the-humanity! content doesn't stop there: First runs a "Smile File" bit from Dave Barry, one of the three people who, should I ever encounter in person, I will slam to the ground and beat senseless for his Crimes Against Funny (the others: Robin Williams and Sarah Silverman).

Meanwhile, don't get First started on the topic of weight gain. Just about everything, it seems, can transform a happy, healthy woman into a quivering mound of custard: using a cell phone, watching her favorite TV shows, sleeping in a cluttered room, you name it. The mag senses no disconnect in serving up recipes for lard-tastic grilled cheese, "5-ingredient yum!" and "Soulful southern yum" shortly thereafter. Then it posits that the real key to "amazing" health is not a balanced diet and regular exercise. No, it's cabbage, which supposedly helps you sleep, cranks up your metabolism and simonizes your car. Spread the word.

Additionally, in one of the more loathsome tactics I've encountered, First appends several of its ludicrous assertions with a "science proves it!" blurb. In fact, "science" proves three of the following grand declarations. Can you guess which one is false? I bet you can!!!


1. "Pet owners are healthier!"
2. "Electromagnetic forces are making women fat!"
3. "Grape juice is filled with toxins!"
4. "Walking outside is better than Prozac!"

I can think of any number of other questions to pose here -- Is the magazine's official title First or First For Women? Why isn't the anti-aging spread in the back clearly labeled as advertising? -- but you get the point. Pity anybody who reads this magazine; express your contempt for anybody who works on it by beating them about the torso with a slipper. Simple declarative sentences are for simple declarative people, but there's no other way to end this transmission than by stating it flatly: First is a reprehensible mess.

***

Note: the fake First declaration is number 3.


MAG STATS
Published by: Bauer Publishing
Frequency: 17 times a year (a "triweekly")
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Tuesday, September 11, 2007

Financial Expert Teaches New Investors to Pimp

Seasoned Financial Expert Teaches New Investors to Pimp the Markets Like 50 Cent in New Book

A new book teaches new, young investors to look at investing in a new light.

Detroit, MI (PRWEB) September 11, 2007 -- For one man, explaining how to profit from the volatile stock market comes down to one word, pimping. Pimping the markets is something Henry Billingslea Jr. has been doing for years. As a financial trader and author of the forthcoming book, ''Pimp The Markets: The Player's Guide to Investing on Wall Street,'' Mr. Billingslea encourages new and young investors to look at investing from a pimp's perspective.

Typically reserved for describing the procurement and management of prostitution, the word pimp has taken on a new meaning in urban culture. Everything from pimp my ride to pimp my house has been shown on T.V. For those left in the dark about the actual meaning of the word, in most cases, the word pimp means to improve a situation. For Mr. Billingslea, his free email based online investment course, Secrets to Pimping the Markets aims to do just that.

Users are encouraged to visit the site PimpTheMarkets.com and enter their email for a free investment course.

"The course provides an unconventional perspective to investing on Wall Street," explains course founder and seasoned market trader Henry Billingslea Jr. in regards to his innovative investing course.

The launch of the Secrets To Pimping the Markets investment course coincides with popular hip hop artist 50 Cent's latest album release, Curtis, on September 11, 2007.

"I wanted to launch the course on the same day as the 50 Cent album to help illustrate an important point. 50 Cent was able to get involved in the hugely popular Glaceau Vitamin Water brand at the right time, and with the company's recent sale he reaped major rewards. I want people to know that this is no accident. Pimping the markets is about being in the right place at the right time, and that is what my course aims to teach people," explains Mr. Billingslea.

With an increased awareness of the stock market and investing, this generation of young adults has been looking for a course aimed at teaching them in their own words how to best profit from the stock market. Thanks to the Secrets to Pimping the Markets free online education course, one person is taking a stand to tell people how to improve their financial situation in a language people can actually understand.
                        
For more information on the course or to sign up please visit www.PimpTheMarkets.com

Press Contact: Henry Billingslea Jr.
Company Name:
Phone: 313-824-2342
Website:
www.PimpTheMarkets.com

Sunday, September 09, 2007

Online Music Profit Monster Book

Musicians, Bands Learn How to Harness an Online 'Music Profit Monster' Using Music Executive's New Book

Nicky Kalliongis, a seasoned executive from the music industry, teaches musical artists how to effectively promote their careers by utilizing MySpace, Facebook, YouTube, Squidoo and other online resources. In his new book, entitled 'MySpace Music Profit Monster: And All Proven Online Music Marketing Strategies,' he shows them how to utilize RSS feeds, podcasts, blog posts and more to develop a fan base, sell CDs and downloads, get a record deal, and attract bookings agents and managers.

(PRWEB) September 8, 2007 -- A new book entitled 'MySpace Music Profit Monster: And All Proven Online Music Marketing Strategies' now shows musical artists how to effectively promote their careers by utilizing MySpace, Facebook, YouTube, Squidoo and other online resources. Authored by Nicky Kalliongis, a seasoned executive from the music industry, it provides invaluable advice on how to develop fan bases, sell CDs and downloads, sign a record deal, and attract bookings agents and managers. Other strategies it teaches: learning how to utilize RSS feeds, podcasts and blog posts. For more information, visit http://MySpaceMusicProfitMonster.com.

Directly involved in the successful careers of such well-known artists as Dido, Grateful Dead, Ace of Base and Babyface, Kalliongis has worked with a wide range of artists that has helped result in the sale of more than 653 million records. Other artists include Alicia Keys, Annie Lennox, Aretha Franklin, Avril Lavigne, Barry Manilow, Bee Gees, Biggie Smalls, Billy Joel, Carly Simon, Deborah Cox, Dionne Warwick, Eurythmics, Expose, Faithless, Hall and Oats, Jermaine Jackson, Kenny G, Lisa Stansfield, Luther Vandross, Monica, Outkast, Pink, Prince, Puff Daddy, Rolling Stones, Romantics, Run DMC, Santana, Sarah McLachlan, Soft Cell, Taylor Dayne, The Village People, Thompson Twins, TLC, Toni Braxton, Usher and Whitney Houston.

Visit the following link at Amazon.com to order his book:

MySpace Music Profit Monster: And All Proven Online Music Marketing Strategies
Paperback: 224 pages
Publisher: BookSurge Publishing (August 24, 2007)
Language: English
ISBN-10: 141967319X
ISBN-13: 978-1419673191

The book is also available for download at: http://MySpaceMusicProfitMonster.com

Testimonials:
"Nicky Kalliongis… is one of the premier music executives in the country… Nicky has participated in the success of the world's biggest acts including Whitney Houston, Toni Braxton, Aretha Franklin, Carlos Santana, and Prince. His tremendous work ethic, attention to detail, and superb musical instincts truly exemplifies him as one of the top A&R men in the business today." -- Monte Lipman, President, Universal Republic Records

"I've known and worked with Nicky on numerous projects over the last 10 years from superstar artist releases to independent developing artists. Nicky has contributed to many hit records across all levels of the business and his experience stretches from the multi-national recording company to the indie. It is exciting to see him stay current and even ahead of the game by bringing his expertise of music into the Digital space." -- George Levendis, Senior Vice President Global Marketing, SONY BMG Music Entertainment.

About Nicky Kalliongis:
Nicky Kalliongis is an accomplished musician and music technician in addition to being a seasoned music industry professional with expertise in the area of Artist and Repertoire. He continues to be active in the music industry where he works alongside Clive Davis, L.A. Reid, Monte Lipman and others. While reporting directly to Clive Davis, the Founder, former chairman and CEO of Arista Records, Kalliongis has been responsible for evaluating new music on behalf of Davis as well as identifying, developing, and editing numerous hit songs that have achieved gold, platinum and multi-platinum status. To date he has been involved in the sale of more than 653 albums. Nicky Kalliongis originated the idea of an in-house digital editing station, implementing the technology that resulted in significant time and cost savings while eliminating creative lag time. He has also written music for hit T.V. shows like ''Lifestyles of the Rich and Famous'' and "Loving" and has appeared on MTV offering his expertise on the ''100 Greatest Voices of All Time,'' and made appearances on MTV's ''The Real World.'' In his newest book he teaches unknown artists how to best utilize online marketing in the same manner as the pros.

Press Contact: Clive Calvin
Company Name: Comnexis
Phone: 6462333200
Website:
http://MySpaceMusicProfitMonster.com

Major Award Nomination For Mystery Fiction Review Site

 
Mystery Fiction Review Site Nominated For Major Award

Murder mystery book review Website selected for honor at Alaska convention.

Los Angeles, CA (PRWEB) September 9, 2007 -- The internet crime fiction review web site, http://www.reviewingtheevidence.com has been nominated for an Anthony Award, to be presented at the upcoming gathering of hundreds of mystery writers, editors and fans, Bouchercon. The event will take place this year September 27 - 30 in Anchorage, Alaska.

The six-year-old site is a total cyber entity. Its editor, Sharon Wheeler, works from Cheltenham, England, where she is also teaches journalism at the University of Gloucestershire. The site's founder and publisher, Barbara Franchi, lives in Los Angeles, which is also the home base for her travels as a contributor to the PBS series, Antiques Roadshow. The site's reviews are written by a team of authors, librarians and mystery aficionados scattered across the U.S. and around the globe.

The Anthony Awards, named after famed mystery writer, editor and founder of the Mystery Writers of America, Anthony Boucher, are among the most prestigious in a genre that was once a quiet backwater of the literary world, but now regularly produces books that dominate the best seller lists.    

Nominated in the Special Services category, reviewing the evidence.com presents twenty new reviews each week and features a commentary on current trends in the world of mystery fiction plus author interviews by Ms. Wheeler. It also maintains a complete archive of its earlier critiques.

Contact:
Rudy Franchi
rudy @ firedog.cc
310 360 0830

Press Contact: rUDY fRANCHI
Company Name: reviewing the evidence.com
Phone: 310 360 0830
Website:
http://www.reviewingtheevidence.com

Thursday, September 06, 2007

Guitar Edge Magazine

Guitar Edge

by Larry Dobrow, Tuesday, September 4, 2007
MY FIRST JOB WAS as a mail-order peon at the original Victor's House of Music in North Jer-Z. Occasionally I answered a phone call or restrung a guitar, but mostly I sat around and listened to the fantastic ramblings of my boss Jim.

Jim was a stringy, glue-inhaling sort, prone to sudden stumbles into the styrofoam bin. He regaled me with tales of his on-the-verge metal band, the Snorkling Hamsters, and heaped praise upon an up-and-coming poet named David Coverdale by quoting liberally from "Slide It In," "Slow An' Easy" and "Spit It Out." Lazing away the afternoons with Jim impressed two things upon my adolescent mind: First, that Coverdale is a master of the subtle sexual quadruple-entendre; and second, that I better get my grades up, and fast.

Assuming Jim always remembered to open the garage door while revving the engine on his late-model party van, he's probably a huge fan of Guitar Edge nowadays. The mag, a throwback to the late, great Guitar, ranks as the leanest guitar title on the market. Ordinarily "lean" would mean "weak and/or devoid of creativity, wit and advertising," but in this case I intend it as high praise.

Guitar Edge, unlike the competition, understands that its readers don't want first-person columns by some random guy whose band opened for Mountain at the 1982 South Dakota State Fair ("when Leslie West quoted from 'Manic Depression' during his 'Mississippi Queen' outro, I realized that I was in the presence of greatness, even if he wouldn't let me use the toilet in his trailer"). No, it realizes that fledgling guitarists want tablature, tablature and more tablature, especially now that the ASCAP folks have gotten all pissy and litigious about Web sites offering transcriptions.

The mag delivers on its "less talk, more tab" tagline with 12 transcriptions in the September/October issue alone. Its choices are diverse and inspired, too, alternating between selections only playable by bona fide shredders (Stevie Ray's "Scuttle Buttin'," Steve Vai's "Bad Horsie") and those aimed at fraternity strummers and comparable neophytes ("Get Up Stand Up," Green Day's take on "Working Class Hero").

Of course, by devoting 72 of the issue's 108 pages to tablature, Guitar Edge doesn't leave a lot of room for much else -- and this isn't necessarily a bad thing. Maybe it's best, in fact, to examine what Guitar Edge doesn't offer in its pages: tens of record reviews (gee, good luck finding those elsewhere), gear reviews (ditto), best solo/guitar album/Frampton riff lists intended to foment horribly punctuated debate among uppity list-serv pundits (yup), etc.

What little non-tab content there is in the September/October issue is hit (the "Crash Course" on harmonizing guitar solos, the "Tip Jar" on B.B. King's phrasing) or miss (the overly worshipful Q&A, which includes the question, "Is it getting any easier for Lamb of God now that you've achieved so much success over the past few years?"), but that's besides the point. Guitar Edge recognizes what readers want and delivers it in a succinct package. That's all. This isn't hard.

For the record, the best harmonized guitar solo of all time is Steely Dan's "Reelin' in the Years." I'll also listen to arguments on behalf of the intro to "Bringin' on the Heartbreak." "More Than a Feeling"? No.

I'm an unbelievably double-super-ninja-awesome guitarist -- probably the best you'll ever hear play unless you have a relative named Yngwie -- so I tend to hold publications like Guitar Edge to a high standard. And to be honest, I doubt I'd read it regularly myself, as bands like Lamb of God make me want to perforate my eardrums with a serrated tuning fork. Still, there's more here for the average player than there is in just about any other guitar mag. Recommended.


MAG STATS
Published by: Music Dispatch Publications
Frequency: Bimonthly
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Larry Dobrow (larry@mediapost.com) is a Contributing Writer. 

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